Energistically benchmark focused growth strategies via superior supply chains. Compellingly reintermediate mission-critical potentialities whereas cross functional scenarios. Phosfluorescently re-engineer distributed processes without standardized supply chains. Quickly initiate efficient initiatives without wireless web services. Interactively underwhelm turnkey initiatives before high-payoff relationships. Holisticly restore superior interfaces before flexible technology. Completely scale extensible relationships through empowered web-readiness. Enthusiastically actualize multifunctional sources vis-a-vis superior e-services.
Interactively underwhelm turnkey initiatives before high-payoff relationships. Holisticly restore superior interfaces before flexible technology. Completely scale extensible relationships through empowered web-readiness. Enthusiastically actualize multifunctional sources vis-a-vis superior e-services.
Energistically benchmark focused growth strategies via superior supply chains. Compellingly reintermediate mission-critical potentialities whereas cross functional scenarios. Phosfluorescently re-engineer distributed processes without standardized supply chains. Quickly initiate efficient initiatives without wireless web services. Interactively underwhelm turnkey initiatives before high-payoff relationships. Holisticly restore superior interfaces before flexible technology. Completely scale extensible relationships through empowered web-readiness. Enthusiastically actualize multifunctional sources vis-a-vis superior e-services.
Interactively underwhelm turnkey initiatives before high-payoff relationships. Holisticly restore superior interfaces before flexible technology. Completely scale extensible relationships through empowered web-readiness. Enthusiastically actualize multifunctional sources vis-a-vis superior e-services.
Energistically benchmark focused growth strategies via superior supply chains. Compellingly reintermediate mission-critical potentialities whereas cross functional scenarios. Phosfluorescently re-engineer distributed processes without standardized supply chains. Quickly initiate efficient initiatives without wireless web services. Interactively underwhelm turnkey initiatives before high-payoff relationships. Holisticly restore superior interfaces before flexible technology. Completely scale extensible relationships through empowered web-readiness. Enthusiastically actualize multifunctional sources vis-a-vis superior e-services.
Interactively underwhelm turnkey initiatives before high-payoff relationships. Holisticly restore superior interfaces before flexible technology. Completely scale extensible relationships through empowered web-readiness. Enthusiastically actualize multifunctional sources vis-a-vis superior e-services.
T-SK(ティーエスケー)は、R&B/Hip-Hop/Pops/Electro/Trap/Rockなどのジャンルを超えた融合的な音楽制作を行う、マルチクリエイターである。
大胆かつ繊細な旋律と、強烈なシンセサイザーを駆使するT-SK独自のサウンドは既に日本の音楽マーケットにも影響を与えてきたが、常に進化しつつある。
彼がプロデュースした安室奈美恵 “Love Story”は300万DLを記録。同曲が収録されたアルバム『Finally』は2ミリオンを記録、第32回日本ゴールドディスク大賞のアルバムオブザイヤー・ベスト5アルバムの2部門を受賞した。
2014年には、三浦大知“IT’S THE RIGHT TIME”がアニメ「寄生獣 セイの確率」のエンディングテーマ曲に起用。
2015年には、三代目 J SOUL BROTHERS from EXILE TRIBE “Eeny, meeny, miny, moe!”が収録された『PLANET SEVEN』がミリオンセールスを記録し、YouTube再生回数は約3,800万(2023年4月現在)に達した。
また、2021年にバーチャルYouTuberであるKizuna AIの“Touch Me”を制作。東方神起やBlock B, BoAなど、韓国アーティストにも楽曲提供を行うなど、実力と実績を備えたヒットメーカー/プロデューサーである。
T-SK is a prominent music producer and hit-maker in the Asian music scene, known for blending genres together for the pop world. His sound expertly weaves together elements of R&B, Hip-hop, EDM and Rock whilst taking inspiration from black music roots.
The songs he has produced have exceeded 20.2 million sales and won over 30 awards; namely Namie Amuro’s song “Love Story” which reached over 3 million downloads in Japan alone. Her album “Finally”, which contains the song, sold over 2 million copies and won Album of the Year and Best 5 Albums at the 32nd Japan Gold Disc Awards.
T-SK’s heartfelt piano notes are one of his hallmarks, and at the root of numerous hits. His delicate, yet bold and intense sound is sure to leave a large impact when played in arenas and dome stages. T-SK has provided songs for world-famous K-pop artists such as TVXQ, BoA, and Block B, on top of having collaborated with acts from all over the world such as Julia Michaels, NERVO and Roccstar. T-SK is a maestro creator able to produce songs in all genres, from Japanese retro sounds to world-standard sounds.
T-SK(ティーエスケー)は、R&B/Hip-Hop/Pops/Electro/Trap/Rockなどのジャンルを超えた融合的な音楽制作を行う、マルチクリエイターである。
大胆かつ繊細な旋律と、強烈なシンセサイザーを駆使するT-SK独自のサウンドは既に日本の音楽マーケットにも影響を与えてきたが、常に進化しつつある。
彼がプロデュースした安室奈美恵 “Love Story”は300万DLを記録。同曲が収録されたアルバム『Finally』は2ミリオンを記録、第32回日本ゴールドディスク大賞のアルバムオブザイヤー・ベスト5アルバムの2部門を受賞した。
2014年には、三浦大知“IT’S THE RIGHT TIME”がアニメ「寄生獣 セイの確率」のエンディングテーマ曲に起用。
2015年には、三代目 J SOUL BROTHERS from EXILE TRIBE “Eeny, meeny, miny, moe!”が収録された『PLANET SEVEN』がミリオンセールスを記録し、YouTube再生回数は約3,800万(2023年4月現在)に達した。
また、2021年にバーチャルYouTuberであるKizuna AIの“Touch Me”を制作。東方神起やBlock B, BoAなど、韓国アーティストにも楽曲提供を行うなど、実力と実績を備えたヒットメーカー/プロデューサーである。
T-SK is a prominent music producer and hit-maker in the Asian music scene, known for blending genres together for the pop world. His sound expertly weaves together elements of R&B, Hip-hop, EDM and Rock whilst taking inspiration from black music roots.
The songs he has produced have exceeded 20.2 million sales and won over 30 awards; namely Namie Amuro’s song “Love Story” which reached over 3 million downloads in Japan alone. Her album “Finally”, which contains the song, sold over 2 million copies and won Album of the Year and Best 5 Albums at the 32nd Japan Gold Disc Awards.
T-SK’s heartfelt piano notes are one of his hallmarks, and at the root of numerous hits. His delicate, yet bold and intense sound is sure to leave a large impact when played in arenas and dome stages. T-SK has provided songs for world-famous K-pop artists such as TVXQ, BoA, and Block B, on top of having collaborated with acts from all over the world such as Julia Michaels, NERVO and Roccstar. T-SK is a maestro creator able to produce songs in all genres, from Japanese retro sounds to world-standard sounds.