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Energistically benchmark focused growth strategies via superior supply chains. Compellingly reintermediate mission-critical potentialities whereas cross functional scenarios. Phosfluorescently re-engineer distributed processes without standardized supply chains. Quickly initiate efficient initiatives without wireless web services. Interactively underwhelm turnkey initiatives before high-payoff relationships. Holisticly restore superior interfaces before flexible technology. Completely scale extensible relationships through empowered web-readiness. Enthusiastically actualize multifunctional sources vis-a-vis superior e-services.
Interactively underwhelm turnkey initiatives before high-payoff relationships. Holisticly restore superior interfaces before flexible technology. Completely scale extensible relationships through empowered web-readiness. Enthusiastically actualize multifunctional sources vis-a-vis superior e-services.
Energistically benchmark focused growth strategies via superior supply chains. Compellingly reintermediate mission-critical potentialities whereas cross functional scenarios. Phosfluorescently re-engineer distributed processes without standardized supply chains. Quickly initiate efficient initiatives without wireless web services. Interactively underwhelm turnkey initiatives before high-payoff relationships. Holisticly restore superior interfaces before flexible technology. Completely scale extensible relationships through empowered web-readiness. Enthusiastically actualize multifunctional sources vis-a-vis superior e-services.
Interactively underwhelm turnkey initiatives before high-payoff relationships. Holisticly restore superior interfaces before flexible technology. Completely scale extensible relationships through empowered web-readiness. Enthusiastically actualize multifunctional sources vis-a-vis superior e-services.
Energistically benchmark focused growth strategies via superior supply chains. Compellingly reintermediate mission-critical potentialities whereas cross functional scenarios. Phosfluorescently re-engineer distributed processes without standardized supply chains. Quickly initiate efficient initiatives without wireless web services. Interactively underwhelm turnkey initiatives before high-payoff relationships. Holisticly restore superior interfaces before flexible technology. Completely scale extensible relationships through empowered web-readiness. Enthusiastically actualize multifunctional sources vis-a-vis superior e-services.
Interactively underwhelm turnkey initiatives before high-payoff relationships. Holisticly restore superior interfaces before flexible technology. Completely scale extensible relationships through empowered web-readiness. Enthusiastically actualize multifunctional sources vis-a-vis superior e-services.
T-SK(ティーエスケー)はR&B/Hip-Hop/Pops/Electro/Trap/Rockなどのジャンルを超えた融合的な音楽制作を行う、マルチクリエイターである。
大胆かつ繊細な旋律と、強烈なシンセサイザーを駆使するT-SK独自のサウンドは、既に日本の音楽マーケットにも影響を与えてきたが、常に進化しつつある。
彼がプロデュースした安室奈美恵“Love Story“は300万DLを記録。同曲が収録されたアルバム『Finally』は2ミリオンを記録、第32回日本ゴールドディスク大賞のアルバムオブザイヤー・ベスト5アルバムの2部門を受賞した。
2014年には、三浦大知“ IT’S THE RIGHT TIME”がアニメ「寄生獣 セイの確率」のエンディングテーマ曲に起用。
2015年には、三代目 J SOUL BROTHERS from EXILE TRIBE “Eeny, meeny, miny, moe!”が収録された『PLANET SEVEN』がミリオンセールスを記録し、YouTube再生回数は3,800万(2023年1月現在)に達した。
EXILEやJUJU、倖田來未、DA PUMPなど多くの国内アーティストに加え、東方神起やBlock B, BoAなど韓国アーティストにも楽曲提供を行っている。
実力と実績を備えたヒットメーカー/プロデューサーである。
T-SK is a multi-creator who can mix up several music genres such as R&B, Hip-Hop, Pops, Electro, Trap, Rock and others.
His original sound with bold and sensitive melody line and intense synthesizer has influenced Japanese music market.
He produced “Love Story” for Namie Amuro in 2011 which recorded over 3 million DLs. Her album ‘Finally’ including the song recorded 2 million CD sales and got Album of the Year and Best 5 Albums at The Japan Gold Disc Awards 2018.
In 2014, “IT’S THE RIGHT TIME” for Daichi Miura was used as the ending theme of animation,” Kiseijū Sei no Kakuritsu”.
Sandaime J SOUL BROTHERS from EXILE TRIBE’s album, ‘PLANET SEVEN’ including his track, “Eeny, meeny, miny, moe!” recorded 1 million CD sales and over 38 million views on YouTube (January, 2023). He produced the various songs for Japanese artists such as JUJU, EXILE, Kumi Koda, DA PUMP, and others. Also he produced the songs for Korean artists such as TVXQ, Block B, BoA, and others.
He has been recognized as one of the top hit makers and producers in Japan.
T-SK(ティーエスケー)はR&B/Hip-Hop/Pops/Electro/Trap/Rockなどのジャンルを超えた融合的な音楽制作を行う、マルチクリエイターである。
大胆かつ繊細な旋律と、強烈なシンセサイザーを駆使するT-SK独自のサウンドは、既に日本の音楽マーケットにも影響を与えてきたが、常に進化しつつある。
彼がプロデュースした安室奈美恵“Love Story“は300万DLを記録。同曲が収録されたアルバム『Finally』は2ミリオンを記録、第32回日本ゴールドディスク大賞のアルバムオブザイヤー・ベスト5アルバムの2部門を受賞した。
2014年には、三浦大知“ IT’S THE RIGHT TIME”がアニメ「寄生獣 セイの確率」のエンディングテーマ曲に起用された。
2015年、三代目 J SOUL BROTHERS from EXILE TRIBE “Eeny, meeny, miny, moe!”が収録された『PLANET SEVEN』はミリオンセールスを記録し、YouTube再生回数は3,700万(2021年10月現在)に達した。彼はE-girlsやJUJU、倖田來未、DA PUMPなど多くのアーティストに楽曲提供をしてきた。東方神起やBlock B, BoAなど、韓国アーティストにも楽曲提供を行っている。実力と実績を備えたヒットメーカー/プロデューサーである。
T-SK is a multi-creator who can mix up several music genres such as R&B, Hip-Hop, Pops, Electro, Trap, Rock and others.
His original sound with bold and sensitive melody line and intense synthesizer has influenced Japanese music market.
He produced “Love Story” for Namie Amuro in 2011 which recorded over 3 million DLs. Her album ‘Finally’ including the song recorded 2 million CD sales and got Album of the Year and Best 5 Albums at The Japan Gold Disc Awards 2018.
In 2014, “IT’S THE RIGHT TIME” for Daichi Miura was used as the ending theme of animation,” Kiseijū Sei no Kakuritsu”.
Sandaime J SOUL BROTHERS from EXILE TRIBE’s album, ‘PLANET SEVEN’ including his track, “Eeny, meeny, miny, moe!” recorded 1 million CD sales and over 37 million views on YouTube (October, 2021). He produced the various songs for Japanese artists such as JUJU, E-girls, Kumi Koda, DA PUMP, and others. Also he produced the songs for Korean artists such as TVXQ, Block B, BoA, and others. He has been recognized as one of the top hit makers and producers in Japan.
2022.12.18
2022.12.07